Rachel M. Tang

Rachel M. Tang is an art historian writing about artists, their ecological networks, and the intertwined histories of race and American education. She is currently a PhD candidate in the History of Art and Architecture at Harvard University. Her writing has appeared in Triple Canopy, Art Journal, and ArtReview.

Her research has been supported by the Charles Warren Center for American History, the Helen Frankenthaler Foundation, the Smithsonian American Art Museum, and the National Museum of the American Indian, where she was the inaugural Betsy James Wyeth Fellow in Native American Art.

Rachel comes from a large, blended family of mixed Chinese, Euro-American, Diné, and Tsitsistas descents, and was raised between Gallup, New Mexico, and Fort Defiance, Arizona, in Diné traditions.

Rachel M. Tang

"Tourmaline: In Plain Sight"
ArtReview — Exhibition review, October 2025
"Kite: When Dreams Become Datasets"
ArtReview — Feature, March 2025
"Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park" (with Joseph Zordan)
Art Journal, 83(4) — Peer reviewed, 2025
"Demonic Desires"
Candice Lin: Lithium Sex Demons in the Factory, Canal Projects and Triple Canopy — 2023
"Candice Lin's Infected Mythologies"
ArtReview — Feature, April 2023
"Sable Elyse Smith Imposes Bars"
ArtReview — Exhibition review, October 2023
"Eco-Artists Imagine a More Symbiotic Future"
ArtReview — Exhibition review, January 2023
"Candice Lin's Cat Demons Will Heal You"
ArtReview — Exhibition review, March 2022

Education

2020–27
PhD Candidate, History of Art and Architecture
Harvard University, Cambridge, MA
Dissertation: Lessons in Repair: Art Objects and the Project of American Education
Committee: Carrie Lambert-Beatty (Chair), Jennifer Roberts, Horace Ballard
2021
MA, History of Art and Architecture
Harvard University, Cambridge, MA
2018
BA, Art History — Cum Laude, Departmental Honors
University of Southern California, Los Angeles, CA

Fellowships & Grants

2025–26
Mellon Foundation Doctoral Fellow
Tufts University Center for the Humanities, Medford, MA
University Ecologies and the Question of the Commons
2025–26
Helen Frankenthaler Fund Fellowship
Harvard University
2025–26
Charles Warren Center Dissertation Fellowship
Harvard University
2024–25
Betsy James Wyeth Predoctoral Fellow in Native American Art (inaugural)
Smithsonian American Art Museum & National Museum of the American Indian, Washington, D.C.
2023
Charles Warren Center Summer Research Grant
Harvard University
2023
Mary Lily Research Travel Grant
Sallie Bingham Center, Rubenstein Library, Duke University
2022
Dumbarton Oaks Fellowship
Harvard University
2020–22
Christopher M. Harland and Ashley Leeds Graduate Fellowship
Harvard University

Publications

Forthcoming
"Weaving Without: Arizona Swayney Blankenship's Weaving as Pedagogy"
Craft Education in the United States, 1900–Present, Bloomsbury Press, 2027
Forthcoming
"Shervone Neckles: Enlivening Archives"
La Force Artist Collective Catalog Publication, 2026
2025
"Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park" (with Joseph Zordan)
Art Journal 83(4): 156–75 — peer reviewed
2023
"Demonic Desires"
Candice Lin: Lithium Sex Demons in the Factory, Canal Projects and Triple Canopy